Dec. 23rd, 2018

child_of_the_air: Photo of a walkway with a concrete railing, with a small river bordered by leafless trees in the background. (Default)
I'm sorry I haven't been updating this frequently: I've been both busy and unproductive lately. However, on Friday afternoon, while I was waiting for an oil change, I wrote a poem inspired by the book I've been reading, Sapiens: A Brief History of Humankind by Yuval Noah Harari. The early portion of the book discusses in some detail a thing I'd known about for a while, but apparently isn't commonly known: that the Agricultural Revolution resulted in a significant decrease in the standard of living for the vast majority of humans.

It turns out that hunter-gatherers on relatively productive land--unlike those living in the borderline environments where they still exist today, because the land isn't worthwhile for agricultural societies to expropriate--tend to be healthier and live longer than peasants did in most agricultural societies. The median level of well-being in agricultural societies may not have reached what it was in hunter-gatherer bands until a century or two ago. On the other hand, the elites: the people who could read and write, who owned the land (and the slaves), and whose names history remembers were much better off: their social roles couldn't even exist without the agricultural surpluses and sedentary lives made possible by agriculture.

Anyway, in response to this all, I wrote a poem that can perhaps be described as a Marxist hymn to Inanna, the Sumerian goddess of love, beauty, sex, desire, fertility, war, justice, and political power who may be seen as the goddess of civilization itself, since she is the keeper of the foundational principles of civilization, and stole them away from the chief god for her city of Uruk.

(As a note, this poem is in two different voices. I'm curious if any of you can identify the two speakers and which stanzas they get: it's kind of subtle.)


"Justice from Inanna"

Lady of Uruk1, Queen of Heaven,
Founder of Cities, and Keeper of the Mes2:
Fifty centuries thou hast been with us.
Our ancestors ate thy wheat and rice and maize,
and built thy temples and thy cities,
and lived together, aided by thy laws.


Lady of Uruk, Queen of Heaven,
Planter of Fields, and Keeper of the Grain:
You chose your children from our wandering bands
and made them kings and priests, soldiers and scribes.
You set us to plow your fields for a crust of bread
and break our backs that walls of brick and lapis3 rise.


Lady of Uruk, Queen of Heaven,
Mistress of Empires, and Keeper of Peace:
To every plot of land, and across the salty sea,
we followed thy lead, and reaped thy gifts
of glory and power, of leisure and wealth,
and of a piece of earth that was our own.


Lady of Uruk, Queen of Heaven,
Lover of Kings, and Keeper of Slaves:
In Babylon and Rome, Xi'an4 and Teotihuacan5
you taught your children arts and gave them tools,
but all their glory and all their wealth
was wrung by force from our unremembered brows.


Lady of Uruk, Queen of Heaven,
Founder of Cities, and Giver of Futures:
If fifty centuries of blood and sweat,
unwillingly shed upon your altar,
have won any boon, let it be this:
That the bloody sacrifice may end
and that all people may enjoy thy gifts.


___________
Footnotes:

1 Uruk was a Sumerian city that flourished around 2900 BCE, when it was the largest city in the world. It was strongly associated with Inanna, and was home to her chief temple, Eanna.

2 The me were a Sumerian theological concept that doesn't translate well into any modern language: they were "one of the decrees of the gods that is foundational to those social institutions, religious practices, technologies, behaviors, mores, and human conditions that make civilization, as the Sumerians understood it, possible. They are fundamental to the Sumerian understanding of the relationship between humanity and the gods." Confusingly, the me are also described in mythology as being physical objects, even though some of them are immaterial concepts, such as "victory."

3 Some versions of the Epic of Gilgamesh suggest that the walls of Uruk (implausibly) or of the Eanna Temple (more plausibly) were covered in lapis lazuli, a semi-precious stone that was important in Sumerian religion.  Inanna wore a necklace and carried a measuring rod of lapis lazuli.

4 Xi'an, a city in what is now central China, is the oldest of the traditional "Four Great Ancient Capitals of China," and was the capital of the Qin Dynasty and early Han Dynasty, who created a unified Chinese empire contemporary with the rise and height of the Roman Empire in the Mediterranean.

5 Teotihuacan was an ancient Mesoamerican city that was the largest in the Americas at its height in about 250 CE.  It is unclear whether the Teotihuacan culture established an imperial state, but they were a major economic power and exported high-quality obsidian tools throughout Mesoamerica.  By Aztec times, Teotihuacan's ruins had attained a legendary status and the Aztecs claimed descent from the city's builders.

child_of_the_air: Photo of a walkway with a concrete railing, with a small river bordered by leafless trees in the background. (Default)
A few weeks ago, as part of an attempt to start a regular Hellenic pagan prayer practice for Advent--something I started successfully but failed to maintain--I made a set of Hellenic pagan prayer beads:


Set of Hellenic pagan prayer beads on top of a set of prayers to be used with them.
 



I don't actually know if there was an ancient Greek tradition of using prayer beads, but as a culturally-Catholic-influenced pagan, I was partly inspired by the Rosary. I decided to arrange the beads in sets of "decades" of ten, where each set of ten would be used with a prayer to a specific god, with a prayer to Hestia (who traditionally is invoked first and last during prayer and when making offerings) between decades.

Along with the initial and final prayers to Hestia, I decided to use six decades, dedicated to Athena, Artemis, Hekate, Hermes, Apollo, and Hephaestus, all gods I have some feeling of connection to. So that Hestia receives the same number of prayers as the others, I double the prayer to Hestia before the first decade, after the last decade, and between the third and fourth decades. This produces the following cycle of prayers:

Hestia (2x)
Athena (10x)
Hestia
Artemis (10x)
Hestia
Hekate (10x)
Hestia (2x)
Hermes (10x)
Hestia
Apollo (10x)
Hestia
Hephaestus (10x)
Hestia (2x)

The set of prayers I came up with were fairly formulaic, so as to be easy to remember, and fairly short, so that the whole cycle of six decades takes roughly twenty minutes to get through. They were also modeled after the "Hail Mary," the main prayer used with the Catholic Rosary. For those of you not familiar with it, the text of that prayer is:

Hail Mary, full of grace, the Lord is with thee.
Blessed art thou amongst women,
and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners, now and at the hour of our death. Amen.


The set of prayers I came up with are as follows.  Readers should feel free to use them themselves if they like them, with or without prayer beads.


HESTIA

Great Hestia, who was born both first and last:
You warm and guard us ‘gainst the stormy blast,
And keep us safe and fed beside the fire.

So hail to you, who’s born both first and last:
We ask your aid, for us and for our world!



ATHENA

Athena, grey-eyed lady of the spear:
You bear the Aegis and you weave your web
And are renowned for your ten thousand roles.

So hail to you, wise lady of the spear:
We ask your aid, for us and for our world!



ARTEMIS

Fierce Artemis, great lady of the bow:
Swift maid who loves the chase and cheers the hounds,
You loose your silver shafts upon the world.

So hail to you, great lady of the bow:
We ask your aid, for us and for our world!



HECATE

Hecate, you who hold your torches high:
You tread the boundary between light and dark,
Teach strength to weakness, and bring hope to fear.

So hail to you, who hold your torches high:
We ask your aid, for us and for our world!



HEPHAESTUS

Hephaestus, crafty master of the forge:
Upon your anvil wondrous things are made,
And by your hands it was we learned to build.

So hail to you, great master of the forge:
We ask your aid, for us and for our world!



APOLLO

Phoebus bright, great lord who shoots afar:
You fill the world with light and play your lyre
With art the waves themselves take pause to hear.

So hail to you, great lord who shoots afar:
We ask your aid, for us and for our world!



HERMES

Swift Hermes, lord who brings us luck and help:
You freely pass through every bound and realm
And aid the traveler and the trickster, too.

So hail to you, who brings us luck and help:
We ask your aid, for us and for our world!

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